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BBVA Collection Spain
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17224
14346
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Anonymous
French table clock
19th Century
gilded and blued bronze
56.5 x 41 x 15 cm
Inv. no. 2624
BBVA Collection Spain
This is an excellent example of the
empire style
is an early 19th century Neo-
Classicism
A movement in art, literature and music which advocated a return to the harmony, simplicity and balance that defined Classical Antiquity. In the arts, it emerged with the Renaissance, when it became the new aesthetic canon in the quest for perfection, and was the prevailing movement in the eighteenth and nineteenth centuries. With the appearance of
Romanticism
A cultural movement born in Germany and the United Kingdom in the late-eighteenth century, as a reaction against the Enlightenment. It extolled the expression of feelings and the search for personal freedom. It spread throughout Europe, with different manifestations depending on the country. In painting, Romanticism reached its peak in France between 1820 and 1850, replacing Neoclassicism. It main purpose was to oppose the strictures of academic painting, departing from the Classicist tradition grounded in a set of strict rules. Instead it advocated a more subjective and original style of painting. Its main formal features are the use of marked contrasts of light, the preponderance of colour over drawing and the use of impetuous and spontaneous brushwork to increase the dramatic effect. Its greatest exponents were: Caspar David Friedrich (1774-1840) in Germany; John Constable (1776-1837) and J. M. W. Turner (1775-1851) in the UK; and Théodore Géricault (1791-1824) and Eugène Delacroix (1798-1863) in France.
, it entered into decline until it gradually lost all traction with the advent of the early avant-gardes in the twentieth century.
style which originated in France to extol the heroism and praise the glory and triumphs of the self-appointed emperor Napoleon Bonaparte. Like the rest of disciplines, the decorative arts also adapted to the magnificence of the court in the period of military conquests. Its motifs fused classical sources and Napoleonic symbols, associating the name of Napoleon with Caesar.
clocks made in Europe in the 19
th
century imitating French models from the time of Louis XVI, the apogee of pendulum clocks with figurines, in which the timepiece itself was a mere excuse for the creation of ornamental pieces, sculptures and complicated compositions.
This pendulum clock has two bodies. A Greco-Roman woman dressed in a tunic and wearing a crown of flowers is placed on a large base comprising friezes of Egyptian palm trees and neoclassical leaves, with alternating gilded and blued bronze.
Made in gilded bronze, the figure is resting against a blued bronze stone which houses a silvered dial with Roman numerals for the hours and the minutes. The mechanism, with a Paris-type French pendulum, has a chiming train which strikes on the hour and the half-hour with an eight-day cycle. The arbors are located at the height of 4 and of 8. Over the 12 is another arbour for adjusting the time.
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