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https://www.coleccionbbva.com/es/autor/bausil-louis/
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autor
14612
Louis Bausil
(Carcassonne, France, 1876 – Perpignan, France, 1945)
Author's artworks
19
th
– 20
th
century French
A Neo-Impressionist artist, Bausil devoted himself mostly to painting the rural and coastal landscapes of French Catalonia, excelling in the depiction of its sunlight.
The artist exhibited his work for the first time in 1901 in Perpignan in the company of other practitioners born or resident in Languedoc-Roussillon such as Aristide Maillol (1861-1944) and George de Monfreid (1856-1929). There is an article written about that show by the writer and poet Louis Codet which was featured in
La Clavellina
(1896-1902), a monthly literary and art magazine published in Roussillon, describing Bausil’s painting as follows: “Louis Bausil uses the mist dyed with the colours of our country as if it were a party dress; the poppy fields, the peach trees in blossom, are alive in his work; his paintings show the damp golden light of dawn, the outlines of the Albères landscape and the afternoon sun on the groves of cork oaks... After receiving his caresses, the landscape takes on the sensibility of a face.”
From 1906 through 1914 he exhibited at the
Salon des Indépendants
An annual exhibition organised in Paris by the Société des Artistes Indépendants, a society formed in 1884 with the goal of showing works by all artists who claimed the independence of their art from academicism. It was created to respond to the rigid traditionalism of the Salon organised by the
Académie des Beaux-Arts
and was presented with the slogan
sans jury ni récompense
(without jury nor reward). Its founders included Odilon Redon (1840-1916), Georges Seurat (1859-1891) and Paul Signac (1863-1935). During the three decades following its inception, its annual exhibitions set the trends in modern art.
in Paris, which dedicated a retrospective show to his work in 1926. He also took part at the 1912 and 1913 salons of the Société Nationale des Beaux-Arts, at the 1913
Salon d’Automne
An annual exhibition first held in Paris in 1903, the Autumn Salon was created under the initiative of the Belgian architect and art critic Frantz Jourdain (1847-1935), with the collaboration of artists including, among others, Henri Matisse (1869-1954) and Pierre Bonnard (1867-1947). It had two main goals, namely, to support and promote young artists, and to showcase the trends of the time to the wider public. The choice of autumn to hold the show was strategic as it allowed artists to present paintings created
en plein air
during the summer, and also, and very especially, because it established a difference with the two major official salons which took place in spring. One of the earliest successes was the exhibition of the 1905 Autumn Salon, that saw the birth of
Fauvism
An art movement which developed in Paris in the early 1900s. It took its name from the word used by the critics—
fauves,
wild beasts—to define a group of artists who exhibited their works at the 1905 Salon d'Automne. By simplifying forms and using bold colours, they attempted to create highly balanced and serene works, a goal totally removed from the intention to cause outrage usually attributed to them. For many of its members Fauvism was an intermediary step in the development of their respective personal styles, as exemplified to perfection by the painter Henri Matisse (1869-1954).
.
and at the 1924 Salon at Les Tuileries. His works are kept, among other institutions, at the Musée d’Art Moderne de la Ville de Paris and the Musée de Bordeaux.