View Menu
Colección
Favoritos
eng
esp
BBVA Collection Spain
Artists
All Artworks
Masterpieces
BBVA Collection Worldwide
BBVA Collection Mexico
Artists
All Artworks
Exhibitions
Exhibitions
Current
Past
Virtual Reality
The Collection travels
Current Loans
Past Loans
Multimedia
Videos
Gigapixel
360º
Related content
Inspirational Women Artists
Studies
Themed tours
Glossary
BBVA Collection Spain
Artists
All Artworks
Masterpieces
BBVA Collection Worldwide
BBVA Collection Mexico
Artists
All Artworks
Exhibitions
Exhibitions
Current
Past
Virtual Reality
The Collection travels
Current Loans
Past Loans
Multimedia
Videos
Gigapixel
360º
Related content
Inspirational Women Artists
Studies
Themed tours
Glossary
https://www.coleccionbbva.com/es/autor/carmelo-garcia-barrena/
Volver
autor
22790
Carmelo García Barrena
(Bilbao, 1926 ─ 2000)
Author's artworks
20th Century Spanish
Carmelo García Barrena was born in Bilbao on 1 July 1926 into a humble family. At the age of ten, with the outbreak of the Spanish Civil War, he was evacuated to Antwerp in Belgium where he remained until 1939, and it was in this period that he started to show evidence of his talent in drawing.
In 1946 he enrolled at the Academia de la Asociación Artística Vizcaína, where he trained under Pelayo Olaortua (1910-1983), Matías Álvarez Ajuria (1914-1969) and Antonio Santafé Largacha (1912-1985).
This was followed by a period of intense exhibition activity in the 1950s. In 1952 he returned to Antwerp, where he spent three years and furthered his education at the city’s Koninklijke Academie voor Schone Kunsten, a sojourn which proved instrumental in shaping García Barrena’s style, heavily influenced by the honesty and quality of Flemish painting.
In the 1960s he took part in several exhibitions held in Spain, including the Exposition of Basque Artists organised in 1964 at the Museo de Arte Moderno in Bilbao. García Barrena obtained many distinctions both in Spain and abroad, and in 1966 he joined the
Emen Group
An artists’ collective founded in 1966 around the Basque School to bring together the artists from the province of Biscay. The aforementioned school was divided into four groups, one for each of the Basque provinces, including Navarre. The Emen Group (emen means here in Basque) was set up with the goal to include the greatest possible number of artists in order to faithfully reflect the existing diversity of aesthetic trends. This non-restrictive criterion was the main reason for the high number of members who joined the group; though, if on one hand, it exemplified unity, on the other, it evinced the disparity of criteria. Among its most salient members were Agustín Ibarrola (1930), a representative of Realism, and Ignacio García Ergüin (1934) and Carmelo García Barrena (1926-2000), promoters of local landscape painting.
, one of the most important artists’ collectives that emerged in the orbit of the Basque School.
The 1970s was one of the most important decades in his career. In 1970 the artist travelled to Paris to attend
Académie Colarossi
This art school in Paris, also known as
Académie de la Grande Chaumière
, was founded in 1870 by the Italian sculptor Filippo Colarossi (1841-1906). It achieved fame as an alternative to the official teachings imparted at the
École des Beaux-Arts
in Paris and remained active until the 1930s. This free and progressive school boasted such outstanding pupils as Paul Gauguin (1848-1903), Amedeo Modigliani (1884-1920), George-Henri Carré (1878-1945), Hermen Anglada Camarasa (1871-1959) and the sculptor Camille Claudel (1864-1943).
and he also visited Belgium and the Netherlands. In 1971 his work was selected by the Department of Fine Arts for inclusion in its touring exhibitions, which enhanced his international profile and earned him considerable prestige.
His work looms large over the Basque art scene of his time. It ought to be ascribed to an apparent modernism, with a style highly influenced by nineteenth-century Parisian painting and the Neocubism of Daniel Vázquez Díaz (1882-1969). As far as subject matters are concerned, he focused on conventional genres, particularly cityscapes and still lifes, with creations predicated on an intimate approach and exceptional technical prowess.
Carmelo García Barrena died in Bilbao on 24 July 2000, at the age of 74.