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https://www.coleccionbbva.com/es/autor/jean-baptiste-achille-zo/
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Jean-Baptiste Achille Zo
(Bayonne, 1826 – Bordeaux, 1901)
Author's artworks
19
th
Century French
After losing his father at the age of fourteen, Achille Zo began studying drawing at the Académie de dessin in Bayonne, then directed by Jean-Baptiste Gallian (1783-1844). In the early 1840s he decided to devote himself to painting and settled in Bordeaux to start working as an apprentice at the city theatre’s decoration studio.
In 1846 he moved to Paris, where he joined the academy of the renowned painter and teacher Thomas Couture (1815-1879). In 1848, due to financial reasons he was forced to leave the capital and returned to Bordeaux to take up work once again at the decoration studio.
In 1852 he returned to Paris, where he lived for around twenty years. This was the beginning of a period when he garnered recognition and a new starting point for his career as an artist. In that same year, he made his debut at the
Salon de Paris
An official art exhibition organised by the Académie des Beaux-Arts in Paris and held in the French capital from 1725 onwards. The show set the patterns of the academic art of the time. In 1737 the exhibition was opened to the public and was held, at first, annually, and then biennially, in odd-numbered years. In 1748 a jury of awarded artists was introduced. In 1849 medals for the winners were presented for the first time. In 1881 the French government withdrew its official patronage of the Salon, and a group of artists founded the Société des Artistes Français to take over the running of the show. Until the late-nineteenth century it was one of the top international art events and absolutely essential for any artist who wished to earn prestige. With the passing of time, the Salon became more conservative and academicist, and unreceptive to many of the emerging movements, like Impressionism. More and more works were rejected or hung in unfavourable places. This situation upset many artists and critics, leading eventually to the creation of less strict alternative salons.
, at which he would become an assiduous participant, obtaining an Honorary Mention in 1861 and a Gold Medal in 1868. His success, due mostly to the interest raised by his paintings with Spanish or Orientalist subject matters, helped him to sell a large number of works and to lead a comfortable life.
His buoyant situation allowed him to finance several trips to Spain, where he found his true inspiration. He made his first journey to Madrid in 1856. In 1860 he travelled to the south of Spain in search of the region’s unusual landscapes and popular iconography. On that trip he visited Seville, Cordoba and Granada, drawing countless sketches which he would later use to create some of his most important paintings.
In 1871, the upheaval caused by the
Paris Commune
A radical insurrectional movement that governed the city of Paris from 18 March to 28 May 1871. Led by the dissatisfied working class, the uprising came about as a protest against the provisional regime which the Republic—presided by Adolphe Thiers—wished to instate in the country following the defeat of Napoleon III in the Franco-Prussian War. The Commune was established on 28 March with the creation of the Commune Council, which, apart from a large number of politicians, also included workers, small shop owners, physicians and journalists. They wanted to implement a socialist political project, based on self-management, but it collapsed after just sixty days due to the extremely harsh repression. After a month of incessant hand-to-hand combat in bloody street battles, particularly from 21 to 28 May in the so-called Bloody Week, the Government recovered the city centre of Paris. The final result was around 20,000 deaths, over 200 historical monuments and buildings damaged and Paris was subjected to martial law for five years.
prompted him to leave Paris and return to his hometown of Bayonne where he consolidated his professional career. Once there, he was appointed director of the
École de Dessin et de Peinture
and curator of the
Musée de Dessin et de Peinture
, while continuing to give classes in his private studio.
D
uring that period Achille Zo received many important distinctions, including his appointment in 1876 as Knight of the
Orden de Carlos III
The Royal and Distinguished Spanish Order of Charles III, originally Royal and Much Distinguished Order of Charles III, is the highest civil distinction granted in Spain. Established in 1771 by King Charles III (1716-1788), its mandate is to reward individuals for their actions in benefit to Spain and the Crown. Although it was created as a military order, more specifically for the cavalry, it was converted into a civil order in 1847.
of Spain, the Cross of the
Real Orden de Isabel la Católica
The Real Order of Isabella the Catholic is a Spanish civil order created by King Ferdinand VII (1784-1833) on 14 March 1815 with the name of Royal and American Order of Isabella the Catholic. It was instated to recognise loyalty to the Nation and to reward the merits of Spanish or foreign individuals who may have contributed to the prosperity of the Crown’s overseas territories. The order was reorganised in 1847 by royal decree and adopted its present-day name. It currently depends on the Spanish Ministry of Foreign Affairs and is granted mostly for civil merits aimed at improving international relationships of cooperation.
in 1880, and his designation as
Chevalier
of the
O
rdre National de la
Légion d'Honneur
in 1886, good proof of the high esteem he was held in Spain and Portugal.
In 1888 he left Bayonne, once again for Bordeaux, where he would spend the rest of his life. The following year he was appointed director of the É
cole Municipale des Beaux-Arts
of the city, while at the same time opening a private studio which became very active and earned an excellent name for its effective teaching methods.
Achille Zo died in 1901 in Bordeaux as a result of wounds suffered after being knocked over by a horse-drawn carriage.