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Hernando Viñes
(Paris, 1904 – 1993)
Author's artworks
20
th
Century French
Born in Paris, in 1915 Viñes moved with his family to Madrid, where he spent the next four years. After that he returned to the French capital, where he came to the attention of some of the most important artists of that time, like Pablo Picasso, who encouraged him to take up painting.
He began training at the Académie d'Art Sacré, and continued his studies with André Lothe and Gino Severini, both followers of
Cubism
A term coined by the French critic Louis Vauxcelles (1870-1943) to designate the art movement that appeared in France in 1907 thanks to Pablo Picasso (1881-1973) and Georges Braque (1882-1963), which brought about a definitive break with traditional painting. Widely viewed as the first avant-garde movement of the twentieth century, its main characteristic is the representation of nature through the use of two-dimensional geometric forms that fragment the composition, completely ignoring perspective. This visual and conceptual innovation meant a huge revolution and played a key role in the development of twentieth-century art.
. His work was included in an exhibition for the first time in 1923, at the Salon d'Automne in Paris. There he got in touch with members of the group of Spanish painters, widely known as the
School of Paris
a wide-ranging loose group of French and foreign artists active in Paris in the period between the two world wars (1919-1939). They prospered in a favourable climate for art that permitted the coexistence of different avant-garde movements. With the outbreak of the Civil War, the Spanish artists split into two well differentiated groups: one including Picasso, Miró, Juan Gris, Blanchard and Julio González, and another made up, among others, by Clavé, Bores and Ucelay.
. At that time he made forays into the world of stage design, creating sets both in Paris and Amsterdam, for instance for
Master Peter's Puppet Show
by Manuel de Falla.
The outbreak of World War II brought many hardships and the artist did not manage to achieve the recognition he had initially foreseen. That well-deserved recognition eventually arrived in 1965, with a retrospective of his work at the Museo de Arte Moderno in Madrid. This then led to a growing number of exhibitions not only in Spanish galleries (Galería Theo in Madrid and Valencia, Sala Dalmau in Barcelona, Galería Ruz in Santander) but also abroad (France, Germany, Denmark, America, Czechoslovakia, Great Britain, Japan). From that moment onwards, his works entered in important collections, like the Centre Georges Pompidou or art museums in Tel Aviv, Buenos Aires or Prague, to name a few.
In 1988, his career was distinguished with the Fine Arts Medal. Throughout his life Viñes engaged with various movements and trends in painting from
Cubism
A term coined by the French critic Louis Vauxcelles (1870-1943) to designate the art movement that appeared in France in 1907 thanks to Pablo Picasso (1881-1973) and Georges Braque (1882-1963), which brought about a definitive break with traditional painting. Widely viewed as the first avant-garde movement of the twentieth century, its main characteristic is the representation of nature through the use of two-dimensional geometric forms that fragment the composition, completely ignoring perspective. This visual and conceptual innovation meant a huge revolution and played a key role in the development of twentieth-century art.
to Surrealism,
Fauvism
An art movement which developed in Paris in the early 1900s. It took its name from the word used by the critics—
fauves,
wild beasts—to define a group of artists who exhibited their works at the 1905 Salon d'Automne. By simplifying forms and using bold colours, they attempted to create highly balanced and serene works, a goal totally removed from the intention to cause outrage usually attributed to them. For many of its members Fauvism was an intermediary step in the development of their respective personal styles, as exemplified to perfection by the painter Henri Matisse (1869-1954).
and Chromaticism, though it was this last-named technique that he would definitively embrace.