“Classical and Modern. Masterpieces from the BBVA Collection”

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Curator: Pablo González Tornel
Free admission
Dates: 14 November 2025 – 15 February 2026
Venue: Museum of Fine Arts of Valencia. C/ San Pio V, 9. Valencia
Opening hours: Tuesday to Sunday, 10 am – 8 pm (Monday closed)
Guided tours free-of-charge upon previous registration. Schedules: Thursdays, Fridays and Saturdays at 5:00 pm and Sundays at 11 am and 12 noon. Information and booking: info@culturama.es (indicating date, time, number of people and contact phone number) 


BBVA, in conjunction with Museo de Bellas Artes de Valencia, is organizing the exhibition Classical and Modern. Masterpieces from the BBVA Collection, which now arrives in Valencia following a showing at Palacio de San Nicolás in Bilbao.

Curated by Pablo González Tornel, the director of the Museum of Fine Arts of Valencia, this exhibition brings together a carefully chosen selection of its most outstanding paintings, ranging in date from the sixteenth century to the early-twentieth. Divided into four sections, it showcases works by such seminal artists as Goya, Pantoja de la Cruz, Murillo, van Dyck, Sorolla and Zuloaga, among many others. Despite the wide time span separating them, the paintings are all grounded in the figurative realism first defined in Flanders and in Italy in the early-sixteenth century.

The Time of Kings and Gods, the opening section of the exhibition, examines how art was used between the sixteenth and eighteenth centuries as a means to bolster political power structures and to reflect social hierarchies, as well as to embody Catholic values following the Protestant Reformation. The next section, Portraiture: The Human Being at the Centre of the World, reflects the development of this genre in Europe, which rose in parallel with Humanism—a movement that inspired individuals to seek immortality through representations of their social status—and flourished throughout the seventeenth and eighteenth centuries.

The exhibition continues with The Triumph of Genre Painting: Landscapes, Still Lifes and Customs and Manners, which takes a look at genre painting during the seventeenth and eighteenth centuries, associated with the ascendency of the bourgeoisie and the birth of the art market. And to conclude, the fourth and final section, The Paths of Modernity, shows how the social changes in the wake of the French Revolution were reflected in the steady erosion of the influence of academicism, the appearance of movements like Romanticism and Realism, and the assimilation of new visual languages that led to the emergence of modern art in the changeover from the nineteenth to the twentieth century.
Exhibition Brochure
Los rostros de la Colección BBVA