View Menu
Colección
Favoritos
eng
esp
BBVA Collection Spain
Artists
All Artworks
Masterpieces
BBVA Collection Worldwide
BBVA Collection Mexico
Artists
All Artworks
Exhibitions
Exhibitions
Current
Past
Virtual Reality
The Collection travels
Current Loans
Past Loans
Multimedia
Videos
Gigapixel
360º
Related content
Inspirational Women Artists
Studies
Themed tours
Glossary
BBVA Collection Spain
Artists
All Artworks
Masterpieces
BBVA Collection Worldwide
BBVA Collection Mexico
Artists
All Artworks
Exhibitions
Exhibitions
Current
Past
Virtual Reality
The Collection travels
Current Loans
Past Loans
Multimedia
Videos
Gigapixel
360º
Related content
Inspirational Women Artists
Studies
Themed tours
Glossary
/es/obra_papel/ccb030-lazando-toro-ernesto-icaza/
Volver
obra_papel
25793
25792
/wp-content/uploads/2021/09/CCB030.jpg
Ernesto Icaza
(Mexico City, 1866 – 1935)
Lassoing a Bull
1911
oil on cardboard
31 x 47 cm
Inv. no. CCB030
BBVA Collection Mexico
Ernesto Icaza embodies the more polished version of the “genre painter” who describes anecdotal or familial scenes in everyday situations in the open air. An exponent of
charrerías
painting, he not only paints in detail the various ways of herding bulls (
lazado
,
coleado
,
jineteo
) but he was also an accomplished
charro
himself. Icaza contributed to the rise of genre painting which, subtended on the postulates of
Romanticism
A cultural movement born in Germany and the United Kingdom in the late-eighteenth century, as a reaction against the Enlightenment. It extolled the expression of feelings and the search for personal freedom. It spread throughout Europe, with different manifestations depending on the country. In painting, Romanticism reached its peak in France between 1820 and 1850, replacing Neoclassicism. It main purpose was to oppose the strictures of academic painting, departing from the Classicist tradition grounded in a set of strict rules. Instead it advocated a more subjective and original style of painting. Its main formal features are the use of marked contrasts of light, the preponderance of colour over drawing and the use of impetuous and spontaneous brushwork to increase the dramatic effect. Its greatest exponents were: Caspar David Friedrich (1774-1840) in Germany; John Constable (1776-1837) and J. M. W. Turner (1775-1851) in the UK; and Théodore Géricault (1791-1824) and Eugène Delacroix (1798-1863) in France.
, focused on the never-changing routines of country life instead of the grand themes of history, religious or mythological painting, deemed as superior in the hierarchy of the art world.
In this bucolic image of three men trying to lasso a bull, one can ascertain the meticulous drawing that confirms the artist’s dedication to realism in what is otherwise a rather conventional composition. Icaza’s depictions of life on a hacienda, when the Mexican Revolution had come to its end, mirrors the nostalgia for Porfirio’s dictatorship among certain well-off social classes.
Artworks by this author
Related artworks