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Pablo Sycet
(Gibraleón, Huelva, 1953)
Última estación de los sentidos
1984
acrylic on canvas
57 x 195 cm
Inv. no. 2301
BBVA Collection Spain
Pablo Sycet is an Andalusian painter and designer who played an active part in the
movida
, the eighties Madrid-based counterculture movement. In 1982 he founded the Ciudad Diseño studio in Granada with the painter Julio Juste (1952).
Like other artists of his generation, Sycet has been associated with American
Abstract Expressionism
This contemporary painting movement emerged within the field of abstraction in the 1940s in the United States, from where it spread worldwide. Rooted in similar premises and postulates as Surrealism, the Abstract Expressionist artists regarded the act of painting as a spontaneous and unconscious activity, a dynamic bodily action divested of any kind of prior planning. The works belonging to this movement are defined by the use of pure, vibrant primary colours that convey a profound sense of freedom. The movement’s main pioneers were, among others, Arshile Gorky (1904-1948) and Hans Hoffman (1880-1966). Leading Spanish exponents of the movement are Esteban Vicente (1903-2001) and José Guerrero (1914-1991), who lived for some time in New York City, where they were in first-hand contact with the many artistic innovations taking place there around that time.
. He is particularly interested in the colour spreading used by artists like Helen Frankenthaler (1928-2011) in their work. However, he has also been decisively influenced by the line and lyricism of French painting, personified by Claude Monet (1840-1926), as well as by the work of contemporary Spanish painters —José Guerrero (1914-1991), Jordi Teixidor (1941) and Albert Ràfols-Casamada (1923-2009)— whose colour and painterly expression are his main source of inspiration.
This work is related to the Abstract Impressionism of the American painter Joan Mitchell (1925-1992) and to Monet’s
Water Lilies
. The use of acid yellow, pink, green and purplish tones contrasts with the black of the vertical strokes, which creates tension in the landscape. One perceives a certain figurative element based on agitated brushstrokes of vibrant colour, applied in all directions, conveying a sensory experience to the viewer.
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